Emily Wardill “I gave my love a cherry that had no stone”, 2016. HD Video, colour, sound, 8 min. A production of the Centre d’Art Contemporain Genève for the Biennale de l’Image en Mouvement, 2016, with the support of the Fonds d’Art Contemporain de la Ville de Genève (FMAC) and the Fonds Cantonal d’Art Contemporain de Genève (FCAC), Faena Art, In Between Art Film and HEAD

Reading group in toronto affect 3 Emily Wardill & Brian Massumi IICD, Art Metropole, Toronto, Canada. British Art Show 7: In the Days of the Comet, Haywood Gallery, London, Tramway, Glasgow, The Castle, Nottingham,Plymouth Arts Centre, The Plymouth Museum, Peninsula Arts, UK.

Romaine Brooks Drawings NO. 5 January 20–February 26, 2017 Emily Wardill intresserar sig för hur människor uppfattar faktiska skeenden på olika vis, men också hur dokumentation kan påverka vår förståelse av verkligheten. Hennes filmer gestaltar hur effektivt det drömlika och det absurda kan tränga in i det vardagliga. Emily Wardill’s films, photographs, and objects probe the complexity of perception and communication, the question of how reality appears authentic to us, and the displacements of substance and form effected by the individual nature of the imagination. Her work has won acclaim for the sensual and psychologically fraught yet fractured narratives which she constructs. The … Emily Wardill | group exhibition | Marianna Uutinen.

Emily wardill

Entries (RSS) and Comments (RSS). 10 May 2017 Emily Wardill: No Trace of Accelerator, 2017; video still; courtesy the artist, Altman Siegel, STANDARD (OLSO) and Carlier Gebauer. 7:30pm 24 Nov 2016 Emily Wardill works predominantly to explore the opacity of communication and to deconstruct the way in which materials or the implication of 31 Oct 2014 Film by contemporary artist Emily Wardill. Showing times: 10:15am, 11:45am, 1: 15pm, 2:45pm. OPENING EVENT: 31st October, 6-8pm. 30 Dec 2011 The Contemporary Art Museum St. Louis, is proud to present a solo exhibition of the work of British filmmaker Emily Wardill.

Emily Wardill I am working on a new film, No Trace of Accelerator, which is loosely based on a case study regarding the social amplification of risk.The study looks into a series of fires in France in the mid-1990s. Event in Berlin, Germany by carlier | gebauer on Friday, January 30 2015 Emily Wardill (b.1977) is a London-based film maker.

Emily Wardill | No Trace of Accelerator (2017) | Available for Sale | Artsy. Available for sale from carlier | gebauer, Emily Wardill, No Trace of Accelerator (2017),

Emily Wardill, I gave my love a cherry that had no stone (still), 2016. Join us on e-flux Video & Film for an online screening of Emily Wardill 's I gave my love a cherry that had no stone (2016), on view from Monday, December 7 through Sunday, December 13, 2020.

Event in Berlin, Germany by carlier | gebauer on Friday, January 30 2015

Emily Wardill. Fulll Firearms [film still], 2011. Bluray disk with 5.1 surround sound.

Nov. 2020 Emily Wardill. Night for Day, Vienna Secession, 2020. Sea Oak / The Diamond (Descartes' Daughter). Ausgehend von Quellen aus Philosophie, Wissenschaft und Kultur stellt Emily Wardill ideengeschichtliches Emily Wardill's work poses fundamental questions about perception, representation, the relationship between politics and linguistics and probes the mysteries The Personification of Film · EnglishArtReviewFilmSecessionEmily Wardill. © 2021 PW-Magazine.
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In 2010, Wardill was awarded the Film London Artists' Moving Image Network Jarman Award, which allowed her to show her works on national television in the UK. Emily Wardill. Emily Wardill’s works are best known for their sensual and psychologically charged refracted narratives. Wardill’s films, photographic works, drawings, and props investigate the complexities of communication and representation, the limitations and imprecision of language, and the point at which the immaterial adopts the material through insinuation.

English Art Review Film Secession Emily Wardill. October 25, 2020. Text by Robin Waart. Emily Wardill »Night for Day«, Secession, Vienna, 2020.
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The Personification of Film. English Art Review Film Secession Emily Wardill. October 25, 2020. Text by Robin Waart. Emily Wardill »Night for Day«, Secession, Vienna, 2020. Photo: Iris Ranzinger. Reflecting on film as a concrete, physical reality Emily Wardill’s Night …

She is from United Kingdom. We have estimated Emily Wardill's net worth, money, salary, income, and assets. Emily Wardill’s films deconstruct their own visual languages, in a way that is inspired by an attempt to empower the viewer, but which also emphasises the irreducible strangeness of images. Her films are known for their historical and intellectual appetites, as well as their stylistic restlessness.

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Emily Wardill; Javascript är avstängt eller blockerat i din webbläsare. Detta kan leda till att vissa delar av vår webbplats inte fungerar som de ska.

PW-Magazine is a bilingual online magazine for Emily Wardill is a Postwar & Contemporary artist who was born in 1977.

Jim Shaw, Sophie Tottie, Emily Wardill, Haeque Yang : kuratorer, curators: Åsa Nacking, Emil Nilsson, Gertrud Sandqvist ; text: Hans, Carlsson [och fyra andra]

ANA GALLARDO - TAMAR GUIMARÃES & KASPER AKHØJ - EMILY WARDILL Lisa Torell, Emily Wardill and Åbäke And from URBAN PEDESTALS (2008) curated by Lotte Juul Petersen and Jacob Borges in the public space of Helsinki. Uddenberg, Tris Vonna-Michell, Emily Wardill and Olav Westphalen. Redaktörer för Texts Not Necessarily Meant to be Viewed as Art är Roger von Reybekiel UNITED BROTHERS (Ei Arakawa and Tomoo Arakawa), Annika von Hausswolff, Emily Wardill, Peter Wächtler, Klaus Weber, Ulla West, Anna Ådahl u.a..

Friday, January 30, 2015 at 6:00 PM – 9:00 PM UTC+01. More than a Emily Wardill is on Facebook.